The most memorable a part of making “Rushmore” for Anderson was returning to the place he grew up. “We made ‘Rushmore’ in my high school, so the strongest association for me is being back in class, essentially. You know, literally in the same classrooms,” he defined. Shooting “Rushmore” in the identical place the place Anderson himself got here of age in all probability allowed him to entry Max’s mindset extra simply. “The thing that probably strikes me the most forcefully when I think back on it is just that I was, went home,” the director concluded.
Houston, Anderson’s hometown, has at all times had a big effect on his filmmaking. “Houston has an incredibly deep cultural tradition, I think. We have great museums and we’ve always had lots of movies here. I think it’s a very good place to start,” he instructed Houston Matters. The metropolis’s disordered structure could have even influenced his distinctly symmetrical cinematography. “Maybe if you feel a little chaos as a kid… you want to make order, you want to make it neater,” Anderson prompt.
Max and Anderson have numerous similarities, even attending the identical highschool, however the director did not intend for “Rushmore” to be autobiographical. He wished his work to talk to who he was as a teen, to not replicate it, and he succeeded. “If I had seen this movie when I was 15 years old, that would have been my movie. That would have changed me,” he instructed Charlie Rose triumphantly.
Shooting at his previous highschool in Houston made “Rushmore” a deeply private movie for Wes Anderson, and this intimacy is clear onscreen. The filmmaker’s connection to the characters, the setting, and the story made for an unforgettable work that established his signature directorial type — or, as he calls it, his cinematic “handwriting.”